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In Italian Renaissance painting , especially in the genre of the nude subject, that perceptual split arises from being both the viewer and the viewed, and from seeing one's self through the gaze of other people. Clearly I think, in retrospect from a more nuanced perspective, about the inescapability of the male gaze. In the book Ways of Seeing , John Berger addressed the subject of female sexual objectification in the arts, noting that men look and women are looked at, that men act and women are acted upon according to usages and conventions, which are, at last, being questioned, but have by no means been overcome by artists. Two forms of the male gaze are based upon the Freudian concept of scopophilia , the love of looking, the "pleasure that is linked to sexual attraction voyeurism in extremis and [the] scopophilic pleasure that is linked to narcissistic identification the introjection of ideal egos ". and show how women have been forced to view the cinema from the perspectives sexual, aesthetic, cultural of the male gaze.

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Archived at the Wayback Machine. The possibility of an analogous female gaze [13] [14] [15] [16] may arise from considering the male gaze. Lists Articles Feminists by nationality Literature American feminist literature Feminist comic books. The nude female painting is hung within view of the spectator. Two forms of the male gaze are based upon the Freudian concept of scopophilia , the love of looking, the "pleasure that is linked to sexual attraction voyeurism in extremis and [the] scopophilic pleasure that is linked to narcissistic identification the introjection of ideal egos ". and show how women have been forced to view the cinema from the perspectives sexual, aesthetic, cultural of the male gaze.

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Ettinger works from the very late Lacan, yet, from the angle she brings, it is the structure of the Lacanian subject itself that is deconstructed to a certain extent, and another kind of feminine dimension appears, with its hybrid and floating matrixial gaze. Ettinger's proposal doesn't concern a subject and its object, existing or lacking. According to Pollock, "She is contrasted iconographically to the naked woman. In sum, according to Mulvey, the categories of pleasurable viewing are twofold. In the book Ways of Seeing , John Berger addressed the subject of female sexual objectification in the arts, noting that men look and women are looked at, that men act and women are acted upon according to usages and conventions, which are, at last, being questioned, but have by no means been overcome by artists. In a narrative film, the visual perspective of the male gaze is the sight-line of the camera as the spectator's perspective — that of a heterosexual man whose sight lingers upon the curves of a woman's body. The main idea that seems to bring these actions together is that "looking" is generally seen as an active male role, while the passive role of being looked at is immediately adopted as a female characteristic.

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Description: The cinematic concept of the male gaze is presented, explained, and developed in the essay "Visual Pleasure and Narrative Cinema" , in which Laura Mulvey proposes that sexual inequality—the asymmetry of social and political power between men and women—is a controlling social force in the cinematic representations of the sexes. and that the male gaze the aesthetic pleasure of the male viewer is a social construct derived from the ideologies and discourses of patriarchy. So Holten decided to pose for and release a new set of pictures of her body. Mulvey, Laura , "Visual pleasure and narrative cinema", in Mulvey, Laura , Visual and other pleasures 2nd ed. The "New" Aesthetics". First Second Third Fourth. University Park, Pennsylvania. This page was last edited on 4 March , at
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